Flindersia

Contemporary Australian Art

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antipodeans:

Aleks Danko (b. 1950, Adelaide). Incident - Ambivalence 1991-1992. Wood, galvanised steel and synthetic polymer paint and varnish H 28 W 27.5 D 2.5cm
Source: Museum of Contemporary Art Australia

antipodeans:

Aleks Danko (b. 1950, Adelaide). Incident - Ambivalence 1991-1992.
Wood, galvanised steel and synthetic polymer paint and varnish H 28 W 27.5 D 2.5cm

Source: Museum of Contemporary Art Australia

philamuseum:

More Art Monday: April Showers

Don’t let a little rain get you down—at least it’s not snow, and there will be beautiful May flowers to follow!

Rainy Day, Queens,” 1931, Martin Lewis, American (born Australia) 

Rain, La Pluie,” 1889, Vincent Willem van Gogh, Dutch 

Spring Showers, New York, From the journal Camera Work,” 1900 (negative); 1911 (photogravure), Alfred Stieglitz, American 

Rain at Ume Bridge, Kitanoshinchi, From the series One Hundred Views of Naniwa (Naniwa hyakkei no uchi),” Late 1850’s, Hasegawa Sadanobu I, Japanese 

Oh Lawd, Please Take Away the Rain!” 1940, Lamar Baker, American 

antipodeans:

Drawing on glass by Ghost Patrol.
Via artist’s Instagram.

antipodeans:

Drawing on glass by Ghost Patrol.

Via artist’s Instagram.

Ian Strange
Landed (2014)
Installation view, 2014 Adelaide Biennial of Australian Art: Dark Heart

Ian Strange
Landed (2014)
Installation view, 2014 Adelaide Biennial of Australian Art: Dark Heart

Dani Marti
ARMOUR, ‘Out Looking for Teeth’ (2013)
Rope and leather
340 x 150 cm
© Dani Marti

Dani Marti
ARMOUR, ‘Out Looking for Teeth’ (2013)
Rope and leather
340 x 150 cm
© Dani Marti

Richard Lewer
Video still from the animation, Worse luck I am still here (2013)
© Richard Lewer
Courtesy Hugo Michell Gallery, Adelaide

Richard Lewer
Video still from the animation, Worse luck I am still here (2013)
© Richard Lewer
Courtesy Hugo Michell Gallery, Adelaide

Trent Parke
Bo. 309 from the Street Portrait Series (2013)
Pigment prints, dimensions variable
© Trent Parke
Courtesy Magnum photos, Stills Gallery, Sydney and Hugo Michell, Adelaide

Trent Parke
Bo. 309 from the Street Portrait Series (2013)
Pigment prints, dimensions variable
© Trent Parke
Courtesy Magnum photos, Stills Gallery, Sydney and Hugo Michell, Adelaide

Alex Seton
Someone died trying to have a life like mine (2013)
Wombeyan marble, nylon webbing
Dimensions variable
© Alex Seton

Alex Seton
Someone died trying to have a life like mine (2013)
Wombeyan marble, nylon webbing
Dimensions variable
© Alex Seton

Dale Frank
Peering over the Liverpool Plains from a Cessna Cherokee (2012–13)
Varnish on canvas
214 × 274 cm
© Dale Frank
Courtesy the artist and Roslyn Oxley9 Gallery, Sydney

Dale Frank
Peering over the Liverpool Plains from a Cessna Cherokee (2012–13)
Varnish on canvas
214 × 274 cm
© Dale Frank
Courtesy the artist and Roslyn Oxley9 Gallery, Sydney

Ian Burns
Clouds (2012) 
Installation view, 2014 Adelaide Biennial of Australian Art: Dark Heart

Ian Burns
Clouds (2012)
Installation view, 2014 Adelaide Biennial of Australian Art: Dark Heart

Brendan Huntley
Untitled (2013)
Stoneware, raku terracotta, porcelain, slip, glaze and enamelled wooden bats
58 x 34 x 34cm
Courtesy the artist and Tolarno Galleries

Brendan Huntley
Untitled (2013)
Stoneware, raku terracotta, porcelain, slip, glaze and enamelled wooden bats
58 x 34 x 34cm
Courtesy the artist and Tolarno Galleries

Deb Mansfield
And the islands slid up the side of the plane (2013)
Photo-tapestry

Deb Mansfield
And the islands slid up the side of the plane (2013)
Photo-tapestry

gh0stgums:

Minnie PwerleAwelye – Women’s Ceremony acrylic on canvas120 x 90 cm

gh0stgums:

Minnie Pwerle
Awelye – Women’s Ceremony
acrylic on canvas
120 x 90 cm

Peter Newry80 × 60 cm

Peter Newry
80 × 60 cm

artbank-australia:

Artistic Director of Sydney Dance Company Rafael Bonachela discusses Daniel Askill’s Michael Jackson Nine Eleven, 2011.